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Sri Lankan-born, Sydney-based artist Ramesh Mario Nithiyendran creates rough-edged, vibrant, new-age idols. He experiments with form and scale in the context of figurative sculpture to explore politics of sex, the monument, gender and religion. Formally trained in painting and drawing his practice has a sculptural emphasis which champions the physicality of art making. While proceeding from a confident atheist perspective, Nithiyendran draws upon his Hindu and Christian heritage as reference points as well as a large range of sources including the internet, pornography, fashion and art history. Self-portraits make frequent appearances and the dual presence of male and female organs suggest gender fluid realms of new possibilities.
Ramesh is represented by Sullivan + Strumpf (Sydney)
More works can also be found on his website
Sri Lankan-born, Sydney-based artist Ramesh Mario Nithiyendran creates rough-edged, vibrant, new-age idols. He experiments with form and scale in the context of figurative sculpture to explore politics of sex, the monument, gender and religion. Formally trained in painting and drawing his practice has a sculptural emphasis which champions the physicality of art making. While proceeding from a confident atheist perspective, Nithiyendran draws upon his Hindu and Christian heritage as reference points as well as a large range of sources including the internet, pornography, fashion and art history. Self-portraits make frequent appearances and the dual presence of male and female organs suggest gender fluid realms of new possibilities.
Ramesh is represented by Sullivan + Strumpf (Sydney)
More works can also be found on his website
SMILING SELF PORTRAIT
2019. glazed disc plate. 28 cm diameter
POINTY GOLD HEAD
2017 24k gold plated bronze 63 x 61 x 26 cm
LIMITED EDITION BOOK & BRONZE SCULPTURE
Edition : 1/100 Signed by the artist